This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theatre history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times. Contents: 1. General introduction E. Csapo and M. C. Miller; Part I. Komasts and Pre-Dramatic Ritual: 2. Introduction T. H. Carpenter; 3. The corpus of Komast vases: from identity to exegesis T. J. Smith; 4. Komasts, mythical imaginary and ritual C. Isler-Kerenyi; 5. Let#s hear it for the fat man: padded dancers and the prehistory of drama J. R. Green; 6. Discussion T. H. Carpenter; Part II. Emergence of Drama: 7. Introduction and discussion G. Nagy; 8. From hymn to tragedy: Aristotle#s genealogy of poetic kinds D. Depew; 9. Myths of ritual in Athenian vase-paintings of Silens G. Hedreen; 10. From ritual to narrative M. Steinhart; 11. 'And now all the world shall dance!' (Eur. Bacch. 114): Dionysus# choroi between drama and ritual B. Kowlazig; Part III. Comparing Other Cultures: 12. Introduction K. C. Patton; 13. Ritual drama in an ancient Egypt R. J. Leprohon; 14. Ritual and performance, dance and drama in ancient Japan G. Zobel; 15. Representation in European devotional rituals: the question of the origin of medieval drama in medieval liturgy N. H. Petersen; 16. Discussion K. C. Patton; Part IV. From Ritual to Drama: 17. From ritual to drama: a concluding statement R. Seaford.